She was tirelessly attending fashion shows well into her 90s.
Finley also kept working well past the age when most people are expected to retire.Īnd her passion for fashion is almost unparalleled, as she kept up her rigorous work schedule for decades. She was a single, working mother for most of her career, long before it was common or even acceptable to be a mother who worked outside of the home.
Through Finley’s own words and the words of her colleagues and her three sons (Joe Green, Jim Green and Larry Lein), a story emerges of a dedicated and sassy woman who went against society norms to start Fashion Calendar during an era when women were expected to not have careers. Later in the documentary, there’s footage of Finley getting the Board of Directors’ Tribute at the 2014 Council of Fashion Designers of America (CFDA) Awards, as well as Finley receiving the Fashion Institute of Technology (FIT) President’s Lifetime Achievement Award in 2016.
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The movie begins with footage of her being honored at a 2014 Hall of Fame Tribute to celebrate Fashion Calendar, an event presented by Citymeals on Wheels. Rather than giving a boring and predictable chronological telling of Finley’s story, “Calendar Girl” gives a non-chronological but insightful overview of Finley as a businessperson, mother and beloved influencer, as well as how she fits into the larger cultural context of the fashion industry. Therefore, “Calendar Girl” looks dated in some ways, but the inspiring message of the movie is timeless. A few of the interviewees have also since passed away, such as photographer Bill Cunningham and former Bloomingdale’s executive Joseph “Joe” Siegel, who was Finley’s beau toward their end of their lives. Finley passed away in 2018, at the age of 98, but she fully participated in the film, which includes interviews with numerous colleagues and family members of Finley. Bruun, “Calendar Girl” (which had its world premiere at DOC NYC in 2020) was filmed over the course of several years in the 2010s. The engaging documentary “Calendar Girl” tells Finley’s story.ĭirected by Christian D. Finley’s name might not be as famous as longtime Vogue (U.S.) editor-in-chief Anna Wintour, but Finley holds a place in fashion media as an underrated pioneer. Ruth Finley was the founder of Fashion Calendar, which is still considered the most influential scheduling “bible” for people in American fashion, especially those who attend New York Fashion Week. fashion industry in New York City were and still are largely influenced by the subscription publication Fashion Calendar, which launched in 1941.
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Long before software spreadsheets and the Internet existed, the schedules of the U.S. Steven Kolb and Ruth Finley in “Calendar Girl” (Photo by Christian D.
Bruun)Ĭulture Representation: Taking place in New York City, the documentary “Calendar Girl” features a group of predominantly middle-aged and senior citizen white people (with a few Asians and African Americans) discussing Fashion Calendar founder Ruth Finley, who also participated into the documentary.Ĭulture Clash: Finley was very resistant to new technology and refused for years to sell Fashion Calendar.Ĭulture Audience: “Calendar Girl” will appeal primarily to people who are interested in the American fashion industry and New York Fashion Week. Bruun, Council of Fashion Designers of America, DOC NYC, documentaries, Ellin Saltzman, Eric Wilson, fashion, Fashion Calendar, fashion designers, Fashion Institute of Technology, Fashion Week, Fern Mallis, film festivals, Francois Damide, Harold Koda, James Mischka, Jim Green, Joe Green, Julie Mannion, Karen Trivette, Mark Badgley, Mary Hackle, Marylou Luther, Mickey Boardman, movies, Nancy Chilton, Nanette Lepore, New York City, Nicole Miller, Peter Arnold, Ralph Rucci, reviews, Ruth Finley, Steve Herman, Steven Kolb, Tadashi Soji, Thom Browne, Valerie Steeleīy Carla Hay Ruth Finley in “Calendar Girl” (Photo by Christian D. Alan Sealove, Audrey Smaltz, Calendar Girl, Carolina Herrera, CFDA, Christian D.